repress / standard cover ...
on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

the uk tech-house guru jamie anderson presents tesseract ep with three originals full of groove and with the serious presentation of techno, deep sounds

- deleted - jamie 3:26 basement edits vol 2 featuring acid whump and bostitch time. limited edition red vinyl pressing!

on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

dj support by rahaan, theo parrish, zernell, marcellus pittman, moodymann, dam swindle. chicago dj & editor jamie 3:26 presents the first release on his own 326 records. kicking off with his edit of the pyramid records classic - sun, sun, sun by jakki from 1976. on the flip we have a rework of purple music by the one and only prince. . release wise jamie 3:26 is one of those guys that doesn t have many releases but when he does put something out it s pure gold! his less is more approach seems to be working with several of his releases now going for decent money on discogs. don t sleep on this great double header which perfectly captures the original house sound of the windy city. dj support by rahaan, theo parrish, zernell, marcellus pittman, moodymann, dam swindle and many others! repressed on black vinyl.

sydney based dreems & jamie blanco pool together creative minds and production proficiency on the studio glucose single, delivering three diverse original tracks and a guest remix from moscoman, as well as keeping futureboogie on a great roll of red hot releases.

jamie t vereint vollkommen scheuklappenfrei so unterschiedliche elemente wie rock, punk, reggae, rap und astreinen pop zu einem sound, der inzwischen als trademark des briten gelten darf.

nice price deal !!! another floor burner from the desert!!!!! two of dubais hottest producers team up on this production and the results are doper than dope!!!! haneef raisani teams up with his friend and studio partner pierre guidera on this record to lay down some heavy punchy beats to blow off any sound system and burn the roof with the heat!!! the single was first introduced in the raisani miami sessions compilations and now the 12 release with the jamie anderson deeeeeep remixes which adds up to the heat!!!

jelly roll soul cohort jamie alexander makes his production debut with the scottish party crew’s second release. the aptly named ‘the stutterer’, opens proceedings, rocking a stunted, pittman-like groove whilst b1 ‘the growler’ furrows a more subterranean path - all dark grubby beats, disembodied voices and a menacing bass line. closing track ‘the dreamer’ contrasts neatly, with a more wistful and err dreamy vibe.

planet rhythm is steadily outing material these days. the next in the string of releases is a va by planet rhythm usual suspects robert s, deepbass & repart, jamie haus and dubiosity. 4 versatile techno cuts that each showcase a different sound within the techno spectrum.

crosstown rebels assemble an a-star team of pioneers and legends for the next mammoth release on the label. touch your body comes courtesy of felix da housecat, jamie principle and vince lawrence aka the 312 with sublime remixes from moodymann.

sinnmusik present their 5th vinyl in the form of a action packed split ep.the back n front series reaches its 3rd edition with the help from jamie trench and label veteran georgi barrel. if you familiar with sinnmusiks output then you ll have heard jamie s cracking ep for the label already and if not you are in for a treat as he opens the record up with a bump.

it’s time for another prruk sampler. prruk104 combines four of the names that have circulating through the label s discography in recent times. for the a side we have self reflektion label owner stranger with a peak time warehouse anthem called “thinner” which uses heavy syncopated percussion sounds which dominate the whole track. for the a2, hans boufffmyhre comes up with a distorted bit of techno action that will definitely turn some heads. london based jamie haus opens up the b side with a psychotic anthem whilst ear to ground head honcho gareth wild closes down with a more emotional rave cut.

lets keep this short and sweet. were talking about felix dickinson and jaime read, neither of whom need much in the way of introduction, after all. three monsters here. acid-flecked, spacey, loopy stuff thats bold, assertive yet melodious, playful. these two have released enough on their own and together as l.h.a.s. inc. to make you know this is a badass 12inch, so whatre you waiting for? get it already itll never leave your bag, were sure.

following the success of the first four eps, the fifth onnset release comes from jamie curnock. marking the beginning of a new series, bristol based illustrator tommy parker has been commissioned to develop four original pieces of artwork based around the concept of exploration. fracture then collapse ep comprises of three original tracks and a remix by patrick bolton.

streng limitierte transparente vinyl-7-inch des aktuellen a-trak hits inklusive jamie lidell-version. a-trak ist das alter ego des kanadischen djs alain macklovitch – auch bekannt durch sein erfolgreiches projekt duck sauce!

roush warmly invites jamie trench to the vinyl series with take a peek ep that follows our winning formula: two original mixes and two remixes by different artists.

rdv5 brings dutchman jamie lie a kwie to the black wax with his minimalistic approach to house. this sound ep includes the track this sound aptly named after the ep along with sneakwow and on a soul trip. niko & kapper are his inspiration and later this year jamie will support tini & the gang. super stuff.

john talabot releases his long sought after loud places dubs. as premiered axel boman on june s beats in space show, the ‘higher’ dub has been has been rinsed by djs this summer. a brand new ‘without me’ dub features on the flip. one for the sunrise and one for the afterparty. limited edition.

felix dickinson and jaime read met in brighton in 1995 when jaime was producing music for felix’s label ugly music. united by a love of chicago house music they held a 5 yr residency together in their hometown brighton. during this time jaime continued to make music for felix’s label as well as on his own label push 2 shove under the moniker lhas (the larry heard appreciation society). they soon found homes for their tracks on doc martin’s wax records, the belgian label eskimo and felix’s new label cynic music. more recently they have released tracks for tsuba and rong as lhas inc. there is a remix by neville watson. you may know him for his work with kink or his releases on clone and creme.

this november will see def mix join forces with sosure music to release boyz! from the late frankie knuckles, accompanied by remixes from david morales and farley & heller.

remixes for jamie xxs *loud places* coming from herbert, john talabot, tessela and barnt.

we dig deep into trax s vaults to unearth some unreleased super rare versions of some trax classics. vol. 1 contains two ron hardy reel to reel edit s of jamie principle & frankie knuckles classics -bad boy- and -baby wants to ride-. very different to the final released versions these are personal edits ron made to play at the music box, chicago in the mid-late 80 s. released in conjunction with trax 2015.

we dig deep into traxs vaults to unearth some unreleased versions of some trax classics. vol. 2 contains a ron hardy reel to reel edit of jamie principles waiting on my angel while the original demo version of frankie knuckles your love containing haunting female vocals is on the flip. released in conjunction with trax 2015.

special rerelease.. time has come to unleash the fifth cut of the beatjackerz series. 50hz has been one of the key imprint when it comes to serious chicago jacking. each and every release comes with a dancefloor session by numerous well-known players. here are two more legends of jack, jamie bissmire and bam bam. no introduction needed, we are sure. let the beats do the talking and the groove do the jackin! a serious taste of what has been pumping through the heart of chicago for many decades now..! complete with vocal version, instrumental and even an accapella bonus!

jamie lidell is a british vocalist, producer and warp recording artist with a string of intelligent, soulful electronic albums under his belt.a: new eyes b: seye wen... the vinyl factory has partnered american multi-media artist doug aitken and the barbican to bring his acclaimed station to station: a 30 day happening to the uk for a month-long. for the duration of the event, which features residencies, installations, live performances, workshops, screenings and more, the vinyl factory has created the vinyl factory recording studio to provide a space for musicians and artists to experiment and improvise and has installed the vinyl factory press on-site to manufacture these recordings into vinyl editions.

the kachiri remix ep features a varied selection from some of the finest. kicking off with tronik youth who takes the title track and reboots into a harder darker groove, pushing the synths to breaking point. man power ignites a fire on the dancefloor with real bass and spacey chords. ivan smagghe creates an off kilter eclectic groove with a different energy. jamie patton dubs out pink ghost with a twisted and warped groove that takes it to a new cosmos. whilst, kasper bjorke takes us down to the sea with his love vibes and tropical rework of volupia. craig bratley adds his dark synths and toughened grooves for late night dance floors. two mamarrachos lead us on an epic 11 minute journey with their massive pink ghost funk groove.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

the debut album from jamie xx as standard black vinyl lp, cut at 33rpm. includes a cd-copy of the album.

one sided album teaser .. in limited supply..

for the second release on robertos new fossil archive imprint, he teams up with artforms jamie anderson. technology is fine, but music production is a human thing. a social thing

repress 2015
heres the pitch: ask six of chicagos finest exponents of bumping house and pitched down disco cuts to contribute some of their finest works, blend them all together and present in the appropriate space either side of two 12 inch slabs. whats the end product? the rather hot looking chicago service from the amsterdam label lumberjacks in hell which features a merry cast of the citys finest in gene hunt, rahaan, jamie 3:26, cratebug, hugo h and boogie nite across two hot plates.

here is the second vinyl only instalment from farfromnormal records, with a fantastic 4 track ep from the young upcoming producer jamie haus, this record hold s 3 original tracks from jamie and a amazing remix from the young romanian groovesh. this record has a totally different vibe compared to the labels first release with a much heavier techno roll. mattur is a good example of this, whilst inter finds jamie haus on a much darker, dub vibe. meiose is packed with a fantastic rolling kick with atmospheric noises in the back, whilst the groovesh remix comes with that brilliant romanian touch that everyone is asking for

with the bizarre feeling ep laying the sound for the subsequent fist year of the label, it is right jamie returns with ep#2 to move things forward with another twisted take on his unique mutoid-protoid-machine-funk-groove. starting with mad obsession you would be forgiven for thinking you ll have bizarre feeling part 2, with warped vocals - taken from late night, half asleep scribbled notes - and space echo haze, but let the percussion work-out trip you up and the stars in and before you know it things start going leftfild and then deeper with the free party sound system bass line shuffl of time nearly time. what he is on (about), no one knows. it is on the flp however that things take a darker turn. beyond the confession booth, down sharp stairs and dripping ceiling to a red light lit room of latter day late night blues.

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

onnsets first release by jamie curnock begins the project with an introduction into the tougher sounds from the label in the form of grown and transportation. truss manages to take this a step further with his punishing remix. as onnset isnt strictly defined by a heavier sound, there is always room for the more experimental, as shown in the opening track extract and the deeper final track scavenger

two of the uks finest underground labels join forces and share their talent on this killer 12inch. from iib we have coyote s sin distracciounes, an upbeat sunkissed dancefloor meditation featuring the blissed out flamenco guitar of long time collaborator saro tribastone. futurboogies christophe remixes and chops up the guitar and adds some gypsymenesque organ stabs and layers of keys. futureboogies felix dickinson and jamie read drop the funky guitar heavy restless people. sublime chugging beats and a beautiful vocal refrain imploring slow it down creating a laidback house monster. iibs max essa puts his remix right in the middle of the dancefloor with straight up house vibes and extra percussion.

cat in a tree recordings proudly brings you two tracks from two of the worlds finest producers of house music

hot creations are back with another killer release, this time at the hands igor vicente who previously released on the label back in 2011 with the brilliant breathe n pop as part of the duo ultrasone. with the ultrasone project at an end, igor this time flies solo for the label, delivering two standout originals with intoxicating bass-lines and dark whispered vocals, creating endless energy of swing and groove to really work the crowd at peak time. hot creations boss jamie jones also delivers an on point remix of ‘the knight with his electric jones remix adding new synth melodies and wonky fx, keeping high energy for dance-floor domination.

roots for bloom shag edits series returns with volume 3. m.james brings us a track that will catch any music lovers ear.

roots for bloom bring in four new faces for the seventh release. we see label boss jamie trench deliver an edit and remix of daniel curpen - daddy was a thug, and david moran teams up with albert vogt for their track cut loose and then collabs with mark crumbs for tha bassment. the a side sees jamie bring a rolling dub edit to daniels original and then takes things a little darker for the a2 remix. david morans cut loose shows off the vocal talents of albert vogt which grooves along seductively, then tha bassment as expected brings things a little harder and more for those after hour spots.

frankie knuckles pres. directors cut feat. jamie principle - your love (tommy vee, mauro ferrucci & keller & directors cut signature mix remixes) hand stamped baby pink vinyl!

jimmy edgar and travis stewart (aka machinedrum) reunite as jets for a new and limited 12inch

emotional especial is the new label from the emotional recordings stable. a sub label to emotional response, especial is though squarely aimed at the floor rather than the head. in a similar vain to the limited 4 eps-only label that was emotional relish, it will merge the sounds and styles that influence contemporary electronic producers, taking in new wave, new beat, ebm and proto-house to create something modern. jamie paton of cage & aviary helms the debut release with bizarre feeling. a youth soaking up punk, dub and new wave, the ep acts at times as a homage to the sounds of new order, the the, kraftwerk and the then other-wordly machine funk emanating out of mid-80s chicago. with both timothy j fairplay and scott fraser aiding and abetting down in the scrutton street bunker studio, with keys, guitar and a heavy dose of space echo, plus hypnotic fx laden vocals from jamie himself, all propel the ep beyond pastische and make the perfect start to especial.

in order to know virtue we must first acquaint ourselves with vice vice&virtue is a new electronic label from death on the balcony. v&v will strive to release quality, honest music aimed at the dancefloor with a view to longevity, integrity & musicality.

limitierte und colorierte 12 inch auskopplung aus dem aktuellen, selbstbetitelten jamie-lidell-goes-prince-album von anfang 2013 mit klasse neuen remixes von machinedrum, jimmy edagr, crackboy und lorenz rhode von der jamie lidell band.

messalina records return with a fantastic ep of eclectic dancefloor bubblers from fellow we love space residents jamie fatneck low and lucci capri (aka dj callum). first up is the eagerly awaited vinyl release of fatnecks incredible acid rework of michael jacksons classic billie jean, highly in-demand since receiving heavy rotation from greg wilson (the only dj lucky enough to have a copy) who nicely sums the track up...i love the way fatneck has put a somewhat psychotic twist on billie jean via his acid interpretation - inspired west yorkshire wacko madness! next up lucci capri delivers the quirky balearic chugger dame un beso, with super-sweet latino lyrics and a great reggae-influenced swing. flip over for the beautifully understated because today i saw u which melds a cool deep house groove with esther phillips yearning vocals. rounding off the ep in style is fatnecks superb dancefloor-friendly edit of the aretha franklin version what a fool believes. great stuff - welcome back messalina!